For nine months, Tony Gilroy has been biting his tongue. Now, with Andor safely in the cultural rear-view mirror, the showrunner is finally saying what Disney asked him not to: his Star Wars series was always about fascism.

In a new interview with The Hollywood Reporter, Gilroy reveals that during the show's promotional campaign, Disney explicitly requested he refrain from using the F-word—fascism, that is. The brand-safe corporate messaging won out over artistic honesty, at least temporarily.

The irony is rich. Andor is widely considered the best Star Wars content in decades precisely because it treats its subject matter with moral and political seriousness. Gilroy crafted a story about how authoritarianism takes root—not through Death Stars and superweapons, but through bureaucracy, surveillance, and the slow erosion of civil liberties.

Audiences got it. Critics got it. Hell, even casual viewers picking up on the show's themes got it. The only people who seemed to think we needed protection from the word "fascism" were the executives worried about keeping Star Wars as palatable as possible for the broadest possible audience.

Here's what makes this particularly galling: Star Wars has always been political. George Lucas has said explicitly that the original trilogy was influenced by Vietnam and America's imperial overreach. The Empire's uniforms evoke Nazi Germany. The whole franchise is built on the idea that authoritarianism is bad, actually.

But Disney wants to have it both ways—selling rebellion as merchandise while sanitizing the actual politics behind it. They'll let Gilroy make a show about fascism, as long as he doesn't call it that during press tours.

The timing of Gilroy speaking out now feels deliberate. Andor has aged remarkably well, its warnings about creeping authoritarianism feeling more prescient by the day. What seemed like allegorical science fiction a year ago now reads as uncomfortably timely commentary.

This is why we need artists like Tony Gilroy—people who understand that great storytelling requires moral clarity, even when corporate overlords would prefer ambiguity. Andor succeeded because it refused to pull punches, because it treated its audience like adults capable of handling complex political ideas.

Now that the show is done, Gilroy can finally say what it was really about. The question is: why did Disney ever think we didn't already know?